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2017 studio album by Tyler, the Creator

Flower Boy
Tyler, the Creator - Flower Boy.png
Studio anthology by

Tyler, the Creator
Released July 21, 2017 (2017-07-21)
Recorded 2015–2017
Studio
  • Chalice
  • Coldwater
  • Paramount (Los Angeles)
Genre
  • Hip hop
  • jazz rap[1]
  • neo soul[2]
Length 46:33
Characterization Columbia
Producer Tyler, the Creator
Tyler, the Creator chronology
Cherry Bomb
(2015) 		Flower Boy
(2017) 		Music Inspired past Illumination & Dr. Seuss' The Grinch
(2018)
Alternative cover
Scum Fuck Flower Boy alt cover.jpg
Singles from Flower Boy
  1. "Who Dat Boy" / "911"
    Released: June 30, 2017
  2. "Boredom"
    Released: July eleven, 2017
  3. "I Ain't Got Fourth dimension!"
    Released: July 19, 2017
  4. "See Y'all Again"
    Released: Baronial 29, 2017

Blossom Boy (alternatively titled Scum Fuck Bloom Male child ) is the 4th studio album by American rapper Tyler, the Creator. The album was released on July 21, 2017, by Columbia Records. Produced entirely past Tyler, the album features invitee vocals from a range of artists, including Frank Ocean, ASAP Rocky, Anna of the N, Lil Wayne, Kali Uchis, Steve Lacy, Estelle, Jaden Smith and Rex Orange County.

Flower Boy was supported by iv singles: "Who Dat Male child" / "911", "Colorlessness", "I Ain't Got Fourth dimension!" and "See You Again". The album received widespread acclaim from critics for its smoothness, unique blend of genres, collaborations and its product. It debuted at number two on the U.s. Billboard 200. The anthology was named amid the best albums of 2017 and the decade by multiple publications and was nominated for Best Rap Album at the 2018 Grammy Awards.

Groundwork and recording [edit]

With Flower Male child, Tyler decided to have a more personal approach compared to his previous album, Cherry-red Bomb, stating "For Cherry Bomb I purposely was like, I don't want to get personal at all. Like, I'chiliad merely going to brand songs. And in this one I was similar alright, permit me write downwardly every feeling".[3] Tyler felt that the general response to Cherry-red Bomb was poor and he wanted to deliver an album that succeeded it well.[four] The official title was originally thought to be Scum Fuck Blossom Boy only was subsequently confirmed simply equally Blossom Boy shortly prior to release.[v] Tyler noted the works of Max Martin, Pharrell Williams and Justin Timberlake as musical inspirations for the anthology.[4]

Recording began in late 2015.[4] Like previous releases, the album was produced by Tyler himself. He decided to keep his rap verses short and to-the-point to requite guest artists and instrumentation more of a focal signal.[half-dozen] Many songs on the album featured guitar playing by Austin Feinstein.[vii] The crush used on the song "I Own't Got Time!" was initially made for Kanye West during recording sessions for Due west's seventh studio album The Life of Pablo.[3] After West declined it, the trounce was sent to rapper Nicki Minaj who, afterwards a month, also turned it down.[3] "Glitter" was written for Justin Bieber; Tyler kept it after Bieber did not return any of his calls.[3] "Run into Y'all Again" was written for former I Direction member Zayn Malik only was later kept after Malik rejected the song twice.[viii] "Who Dat Boy" was rejected past rapper Schoolboy Q.[4]

Music and lyrics [edit]

Correlating with the album'south title, Tyler has noted flowers as a recurring theme of the album.[4] Andy Kellman of AllMusic describes the overall lyrical content of the album as Tyler's "least vulgar release" compared to the stupor value lyrics in his previous projects.[9] The album's opening track, "Foreword", is described by Scott Glaysher of XXL as an open letter to the fans and the nation, citing the lines "How many raps tin I write 'til I get me a chain?/How many bondage can I wear 'til I'k considered a slave?/How many slaves tin information technology be until Nat Turner arise?/How many riots tin information technology be 'til them Black lives matter?"[10] "Where This Blossom Blooms" refers back to his times before fame and money in the commencement line. Tyler says "Let's take it dorsum to them days/Counting sheep on Sadie Hannah'southward floor" which refers to the time before and during the release of his debut mixtape Bastard (2009) when he lived in his grandmother'southward house.[xi] "Sometimes..." is a short track which includes an unidentified male stating that he wants to hear the song virtually him, hinting that following vocal, "Run across You Again", is about Tyler's male lover. "See Yous Again" is described as a "positively kaleidoscopic love vocal" about an unidentified person.[9]

Jesse Fairfax of HipHopDX describes "Who Dat Boy" as a "raucous jam that sounds similar a score to a horror moving-picture show", while Zachary Hoskins of Slant Magazine compared the song to Kanye Due west's song "Freestyle 4".[12] "Pothole" is described equally a "depression-profile standout" that features vehicular metaphors; potholes are used every bit a metaphor for being stuck in life.[nine] [iv] Calum Slingerland of Exclaim! describes "Garden Shed" featuring "psychedelic guitar licks and synths [that] build upwardly a ballad featuring Estelle vocals, every bit liberation is encouraged before noisy feedback makes way for a confessional verse". Slingerland proclaimed the vocal is "ane of [Tyler's] nearly powerful recorded moments to date", and also picked out the references to sexuality.[thirteen] Zachary Hoskins of Slant Mag describes "Garden Shed" equally a "woozy trapped-in-the-closet metaphor".[12] Kevin Lozano of Pitchfork spoke on the song "Boredom", stating "[Tyler'southward] range is kaleidoscopic, and the neo-soul sound he started to shape on Wolf is in full blossom" and "large parts of the song is an exercise for him to flex his production skills".[14]

Calum Slingerland of Exclaim! identifies the reference to River Phoenix on "I Ain't Got Time!". Tyler raps "Passenger a white boy, look like River Phoenix". This may too exist a reference to the music video of "Who Dat Boy" in which Tyler is in a car with a River Phoenix lookalike sitting in the rider seat.[13] "I Ain't Got Time!" contains lines that were considered comparable to Eminem'southward "outlandish statements" throughout his career.[15] The A.V. Club comments on the sampling on "I Ain't Got Time!", saying that it turns an "squeeze box into a fun-house mirror, warped and disorienting".[xvi] The song "I Ain't Got Time!" contains the lyrics "I've been kissing white boys since 2004".[17] The song "Garden Shed" also contains subtle references to sexuality with the lyrics "That was real love I was in/Ain't no reason to pretend" and "All my friends was lost/They couldn't read the signs/I didn't desire to talk/I tell 'em my location and they ain't want to walk".[18] This led many to speculate that Tyler was "coming out of the cupboard" as either bisexual or homosexual. This was particularly interesting because his lyrics in previous albums were considered homophobic and led to him being banned from inbound the United Kingdom for 3 to five years in 2015.[19] Tyler had previously hinted towards his sexuality status a few years prior.[xx]

Vanessa Okoth-Obbo of Pitchfork described "911 / Mr. Lonely" as "look[ing] at the overarching theme of loneliness, on two contrasting, simply equally intriguing beats" and stated that the song "represents a further maturation in sound, and plain his problems as well".[21] Hiba Argane of Affinity Mag analyzed the song "Glitter", stating that information technology "possesses a repetitive quality, but you lot can nigh experience a crescendo in the content".[22] The final rail, "Enjoy Right At present, Today", is an instrumental that features backing vocals from Pharrell Williams.[22]

Promotion [edit]

The anthology title, tracklist and release date was announced by Tyler, the Creator on July 6, 2017 via social media.[23] [24] 2 covers were unveiled upon proclamation, the primary cover designed past Michigan-born artist Eric White and the alternative cover designed by Tyler himself.[25] The album leaked 11 days before the appear release date of July 21.[26]

Singles [edit]

Afterward a one-week countdown on Twitter and Instagram, Tyler, the Creator released a music video, titled "Who Dat Male child", to his official YouTube channel on June 29, 2017.[27] [28] The album's pb single, "Who Dat Boy" / "911", containing ii songs: "Who Dat Boy" and "911 / Mr. Alone" was released as a dual single on June xxx, 2017.[29] The single peaked at number 87 on the Us Billboard Hot 100.[30] The anthology's second single, "Boredom", was released on July 11, 2017.[31] The album's third single, "I Own't Got Time!", was released on July 19, 2017.[32] The album's quaternary single, "See Yous Over again", was released on August 29, 2017, to rhythmic and urban contemporary radio.[33] [34]

Critical reception [edit]

Professional ratings
Aggregate scores
Source Rating
AnyDecentMusic? seven.nine/10[35]
Metacritic 84/100[36]
Review scores
Source Rating
AllMusic [9]
The A.Five. Social club A−[sixteen]
Exclaim! seven/10[thirteen]
The Guardian [37]
HipHopDX four.5/5[15]
The Independent [38]
NME [39]
Pitchfork 8.5/10[twoscore]
Slant Magazine [12]
XXL 4/v[10]

Bloom Boy was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, the album received an boilerplate score of 84, based on 18 reviews.[36] Aggregator AnyDecentMusic? gave it vii.9 out of 10, based on their cess of the critical consensus.[35]

Andy Kellman of AllMusic gave a positive review, stating "While most of these songs are rife with anxiety and isolation, the open up-hearted lyricism and wide-scoped productions, put together by an creative person in peak course, make them immensely engrossing. Frank Ocean, Pharrell Williams, Kali Uchis, Syd, and Estelle are among 11 supporting bandage members, not i of whom is inessential to the whole".[9] Flower Boy was named "Best New Music" past Pitchfork, with reviewer Sheldon Pearce writing, "Tyler'south most sincere and nearly accomplished album, he gets to the essence of what he's been chiseling at: the angst of a missed connectedness, the pain of unrequited love, and navigating youthful ennui".[xl] In his review, Andy Gill of The Independent states, "Flower Boy presents a surprisingly sensitive, thoughtful, even pleasant personality".[38] Jesse Fairfax of HipHopDX stated, "Clocking in at 47 minutes, the anthology is both Tyler, the Creator'south shortest and most cohesive album to date and is full of introspective admissions that logically line upward with his public grapheme".[15] Renato Pagnani of The A.5. Gild said, "Blossom Boy is the first time he's been equally as forthcoming in his actual music. His menstruation has tightened upwardly, and for a homo whose voice basically destined him for rap distinction, he'southward go even improve at stretching his booming baritone into novel shapes, employing a plethora of flows".[16] Scott Glaysher of XXL praised the album maxim, "These days, there aren't many rap albums that tin can service as a deeply digested work of art as well as music for easy listening, yet Tyler, The Creator fills both lanes well. He manages to find the happy medium on Bloom Boy and translates information technology to his best anthology withal".[10]

Jamie Milton of NME wrote that the album is "Backed by a supporting cast of R&B superstars and bright newcomers, it's a tape of long, lazy summers; sitting back and staring at the clouds".[39] Lewis Lister of Clash said, "Previously it felt like every bit though these two sides accept been difficult to reconcile on record; the abrasive would often exist at odds with the tranquil, particularly on last studio album Crimson Bomb. On Bloom Boy, though, Tyler has perfected his marriage of the two".[41] Paul Lester of The Guardian wrote: "If anything, Bloom Boy captures Tyler at his least tormented and twisted; information technology is an album of exquisitely arranged, melodious synth-rap, wistful and reflective, heavy on the heavenly. It's not all dreamy—watch out for the occasional profane pothole—only largely this is the piece of work of an evolved artist and mature person."[37] Austin Reed of Pretty Much Amazing said, "Bloom Boy has elevated Tyler closer to the line. An unexpected motion to be certain, but no less impressive whatsoever".[42] In a mixed review, Consequence 's Kelly McClure stated: "It'due south more of the same. It seems to be needing something more. An extra spark of involvement."[43]

Year-end lists [edit]

Industry awards [edit]

Commercial performance [edit]

Flower Boy debuted at number 2 on the US Billboard 200 with 106,000 album-equivalent units of which 70,000 were pure album sales.[57]

Track list [edit]

All tracks produced by Tyler, the Creator.[58]

Flower Boy track listing
No. Title Writer(s) Length
one. "Foreword" (featuring King Orange Canton)
  • Tyler Okonma
  • Alex O'Connor
  • Michael Karoli[a]
  • Jaki Liebezeit[a]
  • Irmin Schmidt[a]
  • Holger Schuering[a]
  • Damo Suzuki[a]
3:fourteen
two. "Where This Blossom Blooms" (featuring Frank Body of water)
  • Okonma
  • Frank Ocean
 3:14
3. "Sometimes..." Okonma 0:36
4. "Encounter You lot Again" (featuring Kali Uchis) Okonma 3:00
v. "Who Dat Boy" (featuring ASAP Rocky)
  • Okonma
  • Rakim Mayers
 3:25
half dozen. "Pothole" (featuring Jaden Smith)
  • Okonma
  • Roy Ayers[b]
3:57
7. "Garden Shed" (featuring Estelle)
  • Okonma
  • Estelle Swaray
 3:43
8. "Boredom" (featuring Rex Orangish County and Anna of the North) Okonma v:twenty
9. "I Ain't Got Time!" Okonma three:26
ten. "911 / Mr. Lonely" (featuring Frank Sea and Steve Lacy)
  • Okonma
  • Ocean
  • Raymond Calhoun[c]
4:15
11. "Droppin' Seeds" (featuring Lil Wayne)
  • Okonma
  • Dwayne Carter, Jr.
 one:00
12. "November" Okonma 3:45
13. "Glitter" Okonma 3:44
14. "Enjoy Right Now, Today" Okonma 3:55
Total length: 46:34

Samples

  • ^[a] "Foreword" incorporates elements of "Spoon (Sonic Youth Remix)", written by Michael Karoli, Jaki Liebezeit, Irmin Schmidt, Holger Schuering, and Damo Suzuki, as performed by Can.
  • ^[b] "Pothole" contains elements of "Ooh", written and performed past Roy Ayers.
  • "I Ain't Got Time!" incorporates elements of "Introduction", as performed by Bel-Sha-Zaar with Tommy Genapopoluis and the Grecian Knights.
  • ^[c] "911 / Mr. Lonely" contains a rendition of "Outstanding", written past Raymond Calhoun and performed by the Gap Ring.

Personnel [edit]

Credits adjusted from the anthology's liner notes.[58]

  • Tyler, the Creator – pb vocals, production, recording, art, packaging blueprint
  • Rex Orange County – featured vocals (tracks 1, eight), background vocals (track 7)
  • Frank Bounding main – featured vocals (tracks 2, 10)
  • Kali Uchis – featured vocals (track 4)
  • ASAP Rocky – featured vocals (track 5), additional vocals (track x)
  • Jaden Smith – featured vocals (rails 6)
  • Estelle – featured vocals (track 7)
  • Anna of the North – featured vocals (track 8), additional vocals (track x)
  • Steve Lacy – featured vocals (runway 10), guitar (track 13)
  • Lil Wayne – featured vocals (track 11)
  • Pharrell Williams – vocals (rails 14)
  • Shane Powers – additional vocals (track 3)
  • Corinne Bailey Rae – additional vocals (track 8)
  • Davon "Jasper" Wilson – additional vocals (rail 10)
  • Schoolboy Q – additional vocals (rail 10)
  • Lionel Boyce – additional vocals (track 10)
  • Alexander Brettin – background vocals (rails half-dozen)
  • Austin Feinstein – guitar (tracks i, 7, 8)
  • Vic Wainstein – recording
  • Derek Jenner – assistant technology
  • Josh Sellers – assistant technology
  • Neal H Pogue – mixing
  • Zachary Acosta – mixing assistance
  • Mike Bozzi – mastering
  • Sofia Okkonen – photography
  • Wyatt – photography
  • Eric White – art
  • Koopz – packaging design

Charts [edit]

Certifications [edit]

References [edit]

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Source: https://en.wikipedia.org/wiki/Flower_Boy

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